CHINA: MOVING INTO MEDIA - What Great Wall of restrictions face western media owners when entering. China? Chris Walton reveals the facts every western media owner needs to know
To say there has been a drive by western media into mainland China
is an overstatement. It's more accurate to say that it's a hitchhike -
and there's not been much traffic. Generally, western media has been
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limited for two reasons: the regulatory barriers limiting development of
foreign-owned media and the lack of appeal of non-local media to Chinese
consumers.
These factors mean that the current potential for growth in China for
foreign media owners is restricted. So the big players are biding their
time, focusing on other areas of Asia with more immediate potential.
It is almost impossible for foreign media owners to reach the Chinese
population as, officially, foreign TV stations are allowed to download
their satellite feeds only to foreign residential compounds and hotels
with three or more stars. Print media face more complicated
barriers.
All international publications must pass through the authorised
government distributor - the China National Publication Import & Export
Corporation.
Once approved, these titles can be distributed only through hotels,
international airports and certain bookshops. What's more, local Chinese
citizens are forbidden to buy foreign titles by law.
In Shanghai, for instance, most bars in which foreigners hang out have
satellite TV and there's nothing to stop anyone watching it, just like
nothing can physically stop them from buying a magazine in a hotel
lobby.
Yet most Chinese citizens simply don't want to hang out in these bars
and would not be able to afford to eat and drink in them. Similarly,
most magazines fix their cover prices "in co-operation" with CNPIEC and
they are too expensive for local people. An issue of Newsweek retails at
$4.20.
The government still tightly controls media output. Foreign publications
still face the problem of having entire issues banned due to the subject
matter covered. This is a situation the main weekly titles face about
six times a year.
For TV and print, China remains a marginal market for foreign media.
The Economist is a good example: its circulation in Thailand (population
60 million) is 80 per cent higher than its circulation in China
(population 1.4 billion).
While most Chinese people appreciate that there is some sort of
censorship of the media they consume, we need to ask whether they really
care about this. Western media vehicles have a reputation for high
production quality but it would be unwise for media owners to think this
will automatically result in success in China. Indications are that
western media would be successful in China only if the product is
tailor-made for the Chinese audience.
Given the size of China, this should not be too hard an undertaking to
justify.
Taking news as an example, CNN International's global audience is about
110 million people and this pales in comparison with the audience
achieved by the evening news on CCTV, the Chinese national station,
which is estimated at more than 200 million people.
Western media will have to "China-ise" themselves to succeed, either in
output or how and where it appears. To date, probably the most
successful western media vehicle in China is Star TV's Chinese channel,
Phoenix TV - a joint venture with Today's Asia and China Wise. This is
basically a Chinese channel that NewsCorp has a stake in: more than 90
per cent of the programming output is in Chinese and 95 per cent of
viewership happens in China. It works, but is it western media?
This approach has also worked in print. In 1986, Business Week
established a joint venture with the Ministry of Foreign Trade and
Economic Co-operation, enabling it to publish Business Week/ China, the
only licensed international business magazine in China. This meant it
effectively circumvented restrictions facing other titles. This entirely
Chinese language title has an audited circulation of 73,000, which
compares favourably with the mainland circulation of 2,300 enjoyed by
its big sister.
Success will be achieved only by researching what Chinese audiences want
and remembering that, just because it has worked elsewhere, it may not
work in China. When Phoenix began broadcasting The X-Files, MindShare
carried out some focus groups among local Chinese citizens where we
showed the pilot show and asked for the groups' views on it. Feedback
was, at best, lukewarm, so Phoenix no longer shows The X-Files and the
majority of its peak schedule is given over to Chinese programming, not
western programming dubbed into Chinese.
Western media will also have a big brand-building job to do in China, to
familiarise the local audience with their offerings. One approach is to
syndicate an hour or two of programming to local channels throughout the
country. This strategy not only side-steps the rules of direct
broadcast, but also builds familiarity among Chinese viewers with their
output in a well-known environment (a favourite TV station). This is
already popular with several foreign channels such as Discovery and
AXN.
It is hard to predict when prospects will improve for foreign media
owners, especially as the government sees the TV industry as a key
revenue generator.
Surrendering part of this to outsiders will not be popular, especially
at a time when TV revenue is decreasing for the first time. The
government also remains keen on retaining its ability to control output
at certain times, for instance the 80th anniversary of the China
Communist Party this year.
Perhaps these issues, much more than market-led issues, will dictate how
soon the hitchhiking can stop and western media owners can start making
real progress in China.
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