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A new remuneration model for agencies 

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Or why, had you paid Einstein by the letter, it's unlikely he would have come up with E=MC2

I have just been reading two things in close proximity and they set me thinking.

The first book is The Black Swan, a book by Nassim Nicholas Taleb, a chap who is now something or other at London Business School.

This is a wonderful book, suggesting that all of us have a disproportionate (or, strictly-speaking, an over-proportionate) view of probability, one deformed by our overreliance on Gaussian bell curves as a measure of likelihood. We are too eager to believe we are living in a largely predictable world, one where the only deviations are standard ones.

This is simply delusion. Rather than being a kind of "Mediocristan", with outcomes distributed proportionately (rather like human height or weight), most things in life are very different: human wealth, fame, rewards (and their opposites) often belong to a place he calls Extremistan, where Gaussian rules do not apply. While no-one is 12-feet tall (height does follow the laws of Mediocristan) it is perfectly possible for two people's earnings to differ by a far larger factor than two or three. (It is possible, for instance, that J K Rowling earns more than every other British author combined. In statistical terms, the man who chose to publish Harry Potter will not make another significant business decision if he works until he is 20,000 years of age.) And with this disproportion also comes unpredictability -  a world where small actions can have massive effects.

Anyhow it's a good read. As is this post from Brian Millar's excellent blog.

Brian's post is a request for examples of actions or ideas of exceptional value that have gone largely unrewarded. Or, put another way, they are examples of simple, inexpensive activities that have, in retrospect, proven to be worth many millions of pounds to people other than their creators. (Never mind Tim Berners-Lee.... did you know that Raphael Ravenscroft’s solo on Jerry Rafferty’s Baker Street earned him a session rate of £100?)

These examples, too, it seems to me, belong to Extremistan. To the world of contagion and hard to predict succeses where cause and effect, effort and reward, are not so clearly connected. 

And they pose Extremistan's fundamental creative dilemmas:  1) That brilliant successes may not involve a huge amount of up-front effort and expense. 2) Therefore, In the absence of proven success, it is difficult to charge much for them. 3) By the time you realise they are successes, it's too late to renegotiate the sale.

The problem that advertising and marketing agencies now face is that much of what we do takes place in Extremistan - but we get paid in Mediocristan.

All our remuneration comes from a world where things are roughly proportionate. Where you spend ten pounds to earn back fifteen. Where effort and reward are sensibly linked. Where X% increase in media spend results in Y% increase in reach. Not a world where you spend twenty pounds on one hundred different things and hope one of them pays you back a thousandfold. Not one where a fifty-pound tweak to a website can double the site traffic* in minutes. Not one where a five minute "what if" can be worth a few million in incremental sales. 

Twenty years ago our business was probably more proportionate: attention was more something you bought rather than earned, and there wasn't as much of the extraordinary mathematics of viral contagion in evidence. Paris Hilton simply couldn't have become famous via the Reithian BBC.

Back then things weren't perfect. As Brian relates, after JWT had invented Mr Kipling for free, Rank then made them pitch for the advertising.

Equally, let's not forget that a lot of the value we create now still belongs in Mediocristan. Measuring and testing. Crafting creative work. Rigorous thinking. These are all activities where effort-in is roughly proportinate to value-out. It is impossible to be a creative organisation unless you can graft and craft.

My only issue is that this is now all we are paid for. And whereas much creative value depends on this kind of work, some of it doesn't.

Yet if we are only rewarded for the laborious application of creativity and not the opportunistic deployment of it we shall surely spend too much time on one and not enough on the other. The beautifully simple solution (the E=MC2 moment) and the unexpected success needs to be incentivised too. Not "I see the single's at number one, Mr Hegarty - you must be very pleased."

What's needed is quite simple. It is a trade off between incentives so that agencies are as eager to work in the one world as they are in the other.

Here's how I might make it work.

You pay an agency a reduced hourly rate for time spent on the account. Enough to guarantee a small but utterly uninteresting profit.

The amount saved, plus 50%, is put aside every six months.

Every six months, the agency presents to a group including the marketing director, the COO, CEO or MD, and one or two external adjudicators.

They are pitching to get their profit back.

The agency presents nothing but added value. The successes it has generated that were unrewarded at the time. And the incremental ideas it has had which would be valuable to apply but which would make no money in execution.  

These are rarely ideas in answers to briefs - they could be solutions to problems the client didn't know he had (interestingly, Rumsfeld's "unknown unknowns" was a Taleb coinage). With each idea it explains what the value would be created by the idea - using no other measure than that of shareholder value.

And each idea is given a price - either a flat amount or a small share of the results. If there is a difference on price, the adjuicator's decision is final.

It is far from perfect, but it would encourage agencies once again to step out of their insanely constrained roles. It would create a forum for discussing ideas, rather than autistic crap like resourcing. It would naturally drive integration, as all disciplines would be continually mined for ideas. It would reward clients with reactive or unimaginiative agencies with a significant overhead reduction. And it would mean I would once again start to pay attention in the financial part of board meetings as (for once) the money we made might bear some relation to the value we delivered.

It would also promote board level discussion of marketing issues. And could turn agencies, in the longer term, into idea brokers. (Ordinary members of the public  have many valuable ideas - they need a place to go).

Tell me a better idea if you can. All I know is that rewarding value creates value; rewarding effort creates effort. We need a system that recognises that.

Comments

January 4, 2008 9:42 AM
 
Really great post, Rory. Deserves at least a Campaign Essay. But the problem with your cunning plan - like nearly all the pay-for-ideas schemes - is in the short term transition period. Your agency like all the others simply can't afford to take the risk of reduced hourly fees (assuming a significant reduction). The aforementioned Sir Martin wouldn't countenance it because it would drag down your average margin way below his 20% target. On the law of averages (because adland truly is Mediocristan) you wouldn't come up with gems on all your accounts, and even if you did, your account men would discover that the client finance guys would have already adjusted their budgets down to your lower fee level.
 
 
January 4, 2008 9:43 AM
 
I think we might be starting from the wrong end of the question. Surely agencies should be more concerned about how they organise their work and less about how they are paid. Look at some of the most successful start ups in recent years – they are thinly staffed. When Google paid $1.6bn for YouTube in 2006 it had only 60 employees, when ebay bought Skype for $2.1bn it had 200 staff. Oh, and neither the buyer nor the seller relied on traditional advertising to build their business. The traditional craft of creating advertising for paid media is becoming less relevant. Maybe clients would prefer to pay small, smart agencies rather than prop up Stalinist-controlled agencies.
 
 
January 4, 2008 10:53 AM
 
I have a selfish creative interest here. It won't have escaped either of you that advertising industry salaries do not contain the wild discrepancies they once did. Why? Because payment by the hour promulgates the myth that most people are of roughly equal value. I think my new system would reveal the fact that some people (by no means all of them "creatives") are perhaps fifty times as fertile in the creation of ideas as others. Under this new system, very imaginative people might receive a reward contrained only by their abilities, not constrained by how many hours there are in the week. WPP and other holding companies - which are effectively trying to recreate a Stalinist control economy for the 21st Century - will not like the transition. Because it effectively means gambling all your profit on something as uncertain as creativity - and they prefer to promote the city the idea that the business is deeply predictable and replicable, and nothing at all like, say, football, where you are in thrall to the inflated wage-demands of your talent*. But that is what you must be prepared to do if you claim to be a creative organisation.
 
 
January 4, 2008 10:56 AM
 
If you run a football club, your entire fortunes depend on the talents of fifteen 23-year-olds in Bentleys: Alan Sugar apparently calls this a "prune juice" business, where none of the money you make sticks to the sides, but passes straight through to the talent. That sounds more like it.
 
 
January 4, 2008 12:22 PM
 
Ah yes, but what would Bob Holness have earned if he'd played the solo?
 
 
January 4, 2008 1:33 PM
 
Thanks for the plug, Rory. I think that the simplest way for agencies to make real money out of ideas is to make the ideas for themselves. The cost of OEM manufacture is now ridiculously low. Functional equivalence is rife across a wide variety of goods and services. Branding is the main point of difference for pricing, competitiveness etc. And that's the thing that agencies do best. If you step back and think what ad agencies actually do best, it's to put odd-seeming ideas together with multi-million pound budgets and make money on them. Very few industries can do that with the same kind of confidence. The movie industry is very hit and miss. The music industry is... well... you know. Design and PR agencies work with piffling budgets. The McKinseys and Microsofts of this world grew into giants on the back of the knowledge economy. We're now supposed to be in a creative economy, and ad agencies still insist on being service industries. Their instinct is to think "That's a great idea, who can I sell it to?" Rather than, "OK, how do I get the funding to make this happen?" b
 
 
January 4, 2008 1:35 PM
 
Rupert, sadly Bob Holness never got a penny as the law is shaky about payments for being an urban myth. However Ronnie Ross got the standard £12 session rate for his sax solo on Walk on the Wild side.
 
 
January 4, 2008 2:00 PM
 
And that all backs up Brian's comments about the music industry. The successful session musician may mutter about 'what might have been' when an hour's work at £12 an hour is 'unrecognised' when Baker Street is a hit, but, remember, our muso may also have played on 100s of other tracks in a career that never got near the charts (when chart success meant sales) and still got paid. It's clearly not performance-based pay. I believe Jimmy Page had a similar problem ('As Tears Go By' 'I can't Explain'). He gave up session work to earn more money (with more risk?) in his own groups ...
 
 
January 4, 2008 3:22 PM
 
why don't we do an open forum on this - or a small seminar. Rory's idea is great - it's just impractical
 
 
January 4, 2008 4:17 PM
 
Posted by Gerry Moira 04/01/2008 Surely Pete Townsend was the only guitar on 'Can't Explain'. I think we should be told. (Not much going on this week is there?)
 
 
January 4, 2008 5:00 PM
 
Gerry - apparently not - Jimmy Page 'sat in on the session' and therefore played on it aswell. Well, I am prepared to believe that either Jimmy Page or Bob Holness helped Pete out ... (yes, it is quiet, isn't it?)
 
 
January 4, 2008 8:19 PM
 
It isn't entirely clear that Johnny Cash made any contribution whatsoever to the million-dollar quartet. Other than stopping it being called the $750,000 trio. I don't think the idea is impractical. Slightly scary, but perfectly workable. It simply means that grunt work pays our overheads, but all our profit should be made on the 'extras'. Not unlike another profession, come to think of it. I don't think we can do it ourselves - for reasons I can explain in the open session.
 
 
January 4, 2008 10:34 PM
 
A guy I was talking to a while back sold computer systems and information screens to hedge fund managers. He uses a value based pricing model. In essence his company establishes how much they think the service will be worth to the client, and charges them that. What it costs them to make it, provide it and maintain it doesn't even come into the equation. This sounds brilliant, and moving away from the bind of selling time is something that communications companies have been wanting to do for a while. It massages egos of people like us to think that their best ideas change the fortunes of companies, and make the owners or shareholders countless millions (billions?) of pounds. This is of course true in many cases. The dream is to sell communications ideas (ad campaigns if you're still in that mindset) based on their value to the client. The story of the old man who billed a ship owner $10,000 for tapping his broken engine with a tiny hammer because he knew where to tap springs to mind. Only $2 for the tapping, and $9998 for the nous. Now this would be great, except we don't sell information, or mechanical knowledge. What we sell is more ephemeral than that. What proportion of ad campaigns actually work? Sure, everyone flatters themselves that those they have worked on work pretty well thanks. What about other campaigns that destroy brand equity? I'm sure we can all think of plenty of those. Do you have to repay money to the client - because this also could amount to countless millions in lost consumer trust. As they say, with leveraged products you can lose more than you originally invest. If you want a piece of the action, you have to be prepared to take a piece of the risk. Thinking up a website you can upload your own videos to, or a quiz where if you answer 15 questions right in a row, you win £1 million; are not mind-blowing insights that took years to dream up. What they did require though is a fairly significant investment in something with no guarantee of any money at the end. If they hadn't worked, the return would be exactly 0. My old boss, told a story about how he worked on a project where they created an interactive CD that was added into the sale of a toy. This add-on allowed the manufacturer to raise the sale price of the product (obviously this is quite a while ago). They negotiated that they would be paid a sum (say $1) for every toy that was sold with the CD included. Apparently they made more money from that deal than the whole effort of the rest of the agency combined that year. That beats the $9998 the old man got, but I wonder if they sold the original idea for just $2. You see the alternative of selling your time, is giving the idea away for next to nothing and then reaping the rewards if they occur. Some ways you could do this are: * Making a film for a client for free, and they pay you an agreed fee for every time someone chooses to view it * Pay per discernible business event (download, appointment made, brochure request, sale) * Payment entirely on the outcome of brand tracking study * Payment based on increase in profit (to line, division or company) Media owners are not amazingly keen to do CPA deals in online advertising as the risk falls entirely on them to deliver. If you think about marketing/communications companies as the media owners of consumer attention, then maybe we also should be wary of deals like this. Even a hybrid model that a sensible client would agree to would equal selling for less than cost. The economics of running an agency are pretty insane already, without giving away stuff for nothing. Of course we should all keep blowing hard about how we want payment by results, it impresses clients after all, but maybe let's not be too sad that not many people from globo-corp are too keen on paying us how we want just yet.
 
 
January 5, 2008 8:33 AM
 
The problem with value-based pricing is that it will only work in an uncompetitive marketplace, which ours isn't. My unambitious suggestion is simply to make agencies charge a little less for time (where the costs reside) and a little more for insights and ideas (where some - not all - of the value is created). At present we are selling by the pound something that should be priced by the carat. Plenty of businesses charge for a variety of things, and are better for it. Cinemas make some money from popcorn and drinks as well as admission; pubs charge separately for food and drink. Some pubs, like agencies, only charge for one thing: beer. The problem is that they only offer one type of food (peanuts) chosen specifically to make you drink more beer. In the same way, agencies only offer free ideas that will lead to the creation of ads. i suggest we start charging for more, better food. And make the booze cheaper.
 
 
January 8, 2008 11:29 AM
 
I think designers should get paid royalties :-P Why should voice over artists come in for a couple of hours say a few lines and bugger off again and then get paid every time an advert is aired (unless there’s a buy out but they still get paid more than the designer). Why does air time cost so much when you can stick up the advert on you tube for free (if its clever enough people will watch it of thier own accord) The designer agonises over fitting in all the information required by the client while still have to conform to various legal margins and still make it look good only to get paid a pittance for it. It isn’t fair I tell you and no you cant just Photoshop it.
 
 
January 16, 2008 7:33 PM
 
Whatever the solution, you're absolutely right Rory to say that we are working to an insane business model, one in which we give away all manner of ideas for free simply to avoid getting fired this month. I think it's time agencies moved upstream and started creating their own opportunities for clients, then selling them for a fee plus royalty. Recurring revenue with few if any additional man-hours is a much more attractive business model. And, once up and running and proven to work, it is surely more attractive to Wall Street and therefore, presumably, to Sir Martin as well. This way we could keep Sir Martin happy and potentially earn much greater returns from these "freelance' gigs. As the author of The Black Swan notes, when you're paid by the hour (which is the main reason we have so many damned account guys running around the place), there is a cap on your earning power. So, maybe a bridge to a new model would be a model that combines delivery of the compulsories plus some room for freestyling. Steve.
 
 
January 29, 2008 12:12 PM
 
Can't this be achieved at the pitching stage? Present your idea/vision and name your price (against a measurable objective) rather than a billing structure. E.g. "We believe this idea will increase your brand tracking score by 500% - if it does, you pay us one meeelion dollars." This wouldn't only take cojones, but a significant portfolio to back up your demand. Is it also a problem created by marketing departments. Is there a culture there of being given a fixed budget and slicing it up between different channels. this set-up provides a lot of stabillty and a safety net for marketeers: if a campaign fails, its not their fault - its the agencies'. It would take a relatively brave Marketing Director to ask the CFO for £ms of extra pounds to account for something as nebulous as an increased brand tracking score.
 
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