Brands rise to the creative challenge of DOOH
Advertisers are making the most of digital out-of-home but there is more to come, leading creatives promise. as the fifth anniversary of ocean's digital creative competition looms, Campaign looks at how far the medium has come in such a short space of time.
It’s about new thinking – not just new technology
Tim Bleakley, chief executive, Ocean
If anything has matched the explosion and expansion of the possibilities in out-of-home advertising – and DOOH in particular – over the past decade, it is the way brands and agencies have grabbed the creative opportunities that new formats, new technologies and new thinking have presented them with.
That’s why, in this fifth year of Ocean’s The Art of Outdoor Digital Competition, launching in July, we celebrate both creativity and insight, as well as technology. But it’s not just me – more and more brands (roadside DOOH has just welcomed Mulberry to the party) are using it, seeing the value in it and taking the chance to look at the out-of-home medium differently. In doing so, they can be more relevant, be more premium, be more exciting, and make an engaging and emotional impact with consumers.
Just take a look at the winners over the four years of the competition (see box, below), many of which have been awarded, or been nominated for, Cannes Lions. From British Airways to Twitter, our winners have shown how DOOH allows new media channels to merge with old media to create great consumer experiences.
This is important. In the 21st century, life – not just advertising – is all about sharing experiences with your friends and family. DOOH is now in the perfect place to help brands become part of the debate. And it won’t surprise you if I mention that, with this in mind, Ocean has developed a network of digital platforms to enable advertisers to explore many facets within the DOOH sector, and create impactful and engaging campaigns.
But what excites me the most is that DOOH is all about what brands and advertisers will do next. Just look at the way celebrities are using iconic DOOH sites and tying them into social media, the way campaigns can use audience data and recognition data to supply targeted creative and the way engagement can be enhanced as a result of size, stature and digital reproduction.
As you can see on this page, the potential for exciting and dynamic DOOH growth is endless.
The past five years have seen the start of a revolution in digital out-of-home advertising. Large-format, full-motion digital screens can now be found nationwide, offering brands a unique position in the out-of- home landscape and therefore consumers’ lives. With local and personalised targeting tools, DOOH has rapidly become recognised for the key creative opportunities it offers brands to be relevant, engaging and exciting in the right context.
As we reach the fifth anniversary of Ocean’s The Art of Outdoor Digital Competition, we can see how brands and agencies have driven innovation and creativity in DOOH. Past winners include British Airways, Diet Coke, Twitter and Nokia. Not only is DOOH growing, these winners reveal the depth and breadth of opportunity it offers to clients.
"DOOH originally meant dodgy projection-based signs," Gerry Human, Ogilvy & Mather’s chief creative officer, says. "Now there is everything from large-format digital LED screens to instantly updated screens in grocery-store aisles. Quality and ability to adapt or interact mean there are no real barriers."
Justin Gibbons, the creative director at Arena, agrees: "DOOH has allowed out-of-home campaigns to add a layer of engagement to what was always big and broadcast. The new digital inventory means out-of-home is becoming more engaging and creative."
A testament to this is the way unique and eye-catching campaigns are captured and shared in the same way that good viral video is. When Love magazine Tweeted a picture of its out-of-home ad featuring Miley Cyrus, she retweeted it to her 17.5 million followers, prompting an additional 2,842 retweets.
Nokia’s #iSpy game displayed live clues about UK landmarks on Ocean’s full-motion screens, with players interacting on Twitter to guess the location for a chance to win a 1020 smartphone.This new dimension to user experience shows how social and out-of-home campaigns can be extended further with digital.
"DOOH catches the right audience at the right time with all the right elements. Its flexi- bility gives you relevance and engagement," Kristian Dean, the national communications manager at Audi UK, whose ad christened the indoor digital screens at Waterloo station, says. "It’s an area we’ll definitely keep an eye on."
DOOH is no longer being looked at as just another medium for a wider campaign – the unique capabilities mean that it is implement- ed carefully as a standalone addition. Full-motion capabilities, facial recognition, HD cameras and audio bring huge opportunities for creativity that traditional ads can’t offer.
"It is a natural part of a plan in more cases – less of a stunt," Steve Parker, the co-chief executive of Starcom MediaVest Group London, says. "As investment from media owners in the DOOH environment continues to stand out, clients notice the quality of that environment. This means that the breadth of DOOH opportunities also continues to grow."
The DOOH revolution
With data finally being used with confidence, creative opportunities have become increasingly diverse as marketers consciously strive to get the most out of the relatively new sector. "The growing availability of data and technology provides even greater creativity, advanced flexibility and new forms of visualisation in the most visual of media," Parker continues.
The MicroLoan Foundation’s "Pennies for Life" campaign updated in real time as users interacted.When viewers texted to donate £2 to the charity, which gives small business loans to women in Africa, pennies fell on to a DOOH screen to form part of an African woman’s smiling face. Another campaign, for Compassion in World Farming, enabled people to feed pigs on an organic farm in return for a donation to the charity through a digital screen and their mobile phones. This deluge of new technology makes DOOH opportunities huge, Peter Souter, TBWA’s chairman and chief creative officer, believes: "We can interact with, thrill and surprise our customers with DOOH."
This potential for interactivity is what most sets DOOH apart from traditional out-of-home. Research by Neuro-Insight and Ocean found that a strong emotional response drives memory coding, correlating with purchase behaviour. A positive correlation with a premium digital campaign primes the wider out-of- home campaign and becomes associated with the whole campaign, be it across print, TV or other non-traditional channels.
"Now there is everything from large-format digital LED screens to instantly updated screens in grocery stores. Quality and ability to adapt or interact mean there are no real barriers"
Gerry Human, chief creative officer, Ogilvy & Mather
"Other than newsjacking opportunities, creative opportunities will continue to be more responsive, time-based, personalised and location-intelligent," Darren Goldie, Havas Media’s managing partner for digital, says. "Local offers and reiterating TV messaging will be a key area of development."
Toshiba used its DOOH campaign in exactly this way, working in conjunction with cinema and digital to provide incremental coverage. "We cherry-picked landmark sites to add extra scale, stature and distinction," Tarek Boudour, the head of marketing at Toshiba, says. "The TV creative was translated to grab the full attention of passers-by, commuter formats were used and shopping-mall panels provided reminders in proximity to purchase."
"DOOH is now a true partner in the world of content marketing,"Gibbons says."We can feed real-time data to screens everywhere. Content is growing and growing, and DOOH is a medium in the right place at the right time."
The past five years have seen huge advancements in DOOH technology, and consequently opportunities for marketing campaigns. "I think there’s a revolution coming in DOOH," Souter concludes. "I hope clients realise that posters are now telly, and interactive telly at that. The girl’s hair can blow when the Tube comes.The kid can point at the BA plane when it flies over.The sky is literally the limit."
2013 Interactive and Experiential
2013 DOOH techniques
Nokia and Twitter engaged consumers with a game of #iSpy at The Screen @ Trinity Leeds
This article was first published on campaignlive.co.uk
Latest jobs Jobs web feed
- Creative Production Controller (Maternity Cover) Asthma UK £34,361 - £36,169, London (Central), London (Greater)
- Commercial Market Analyst UCAS c.£35,000 , Cheltenham, Gloucestershire
- Marketing Brand Manager Clipper Ventures Circa £40k - dependent on experience, South East England / South West England / Gosport, Hampshire
- Senior Product Manager Ball & Hoolahan £50,000 per annum, London (Central), London (Greater) / London (City of), London (Greater)
- Customer Insight Manager Tottenham Hotspur Between £40,000-£45,000 per annum + benefits (dependant on experience), London (North), London (Greater)
- Sponsorship Manager Ball & Hoolahan £50,000 per annum, London (Central), London (Greater)