01 Aug 2001
| by Graham Kelly, creative director at Ogilvy Interactive
A few weeks ago I received an email entitled, "The True Story of a
Private Equity Stud". In fact, I got it three times, from different
friends around the region. It all started when a Korean-American guy who
had just arrived in Seoul, sent an email to his acquaintances boasting
about his sexual...
01 Aug 2001
| by Graham Kelly, creative director at Ogilvy Interactive
A few weeks ago I received an email entitled, "The True Story of a
Private Equity Stud". In fact, I got it three times, from different
friends around the region. It all started when a Korean-American guy who
had just arrived in Seoul, sent an email to his acquaintances boasting
about his sexual...
01 Aug 2001
| by RACHEL OLIVER
links. The advertisements
only ran on kimo.com mainly for budgetary reasons.
Creative: "The ...
01 Aug 2001
| by RACHEL OLIVER
links. The advertisements
only ran on kimo.com mainly for budgetary reasons.
Creative: "The ...
01 Aug 2001
| by JOHN GAFFNEY
creative process
and making this medium work better for advertisers," says Glassberg.
"And it's about ...
01 Aug 2001
| by JOHN GAFFNEY
creative process
and making this medium work better for advertisers," says Glassberg.
"And it's about ...
01 Aug 2001
| by WOO YEE MING
users'
attention, it is important for them to develop more innovative and
creative campaigns ...
01 Aug 2001
| by LOUISE RICHARDSON
,
creative and quick. Tom Coakes, director of UK consultancy Credo, says
that in the case of Freeserve ...
01 Aug 2001
| by WOO YEE MING
users'
attention, it is important for them to develop more innovative and
creative campaigns ...
01 Aug 2001
| by LOUISE RICHARDSON
,
creative and quick. Tom Coakes, director of UK consultancy Credo, says
that in the case of Freeserve ...